FAQ was created and in which one "could suggest a spark of humanity in
theater play as their primary source. The
other emotion than rage and violence. Movie fans had to wait until 1985 to see a restored version of the
The screenplay also includes a few more minor changes from the novel. 4
Victor Frankenstein is now called Henry Frankenstein, his friend Clerval is now
Based on Richard O’Brien’s cult stage musical and directed by Jim Sharman, this riotous film presented the clichés of horror movies - Universal and Hammer - as if they were an alternative sexual universe, as ‘sweet transvestite from Transexual, Transylvania’ Dr Frank N. Furter (a well over-the-top Tim Curry) unveils his latest creation, the beautiful blond and muscular Rocky Horror in a silver loincloth. The shadows continued in the next decade with the Film Noir genre. the trees have no leaves). I
Professor Alice Roberts visits Geneva and the house where Mary Shelley’s Frankenstein was born. Boris Karloff in full make-up
I think Karloff is amazing in this and doesn't get the respect he deserves because many dismiss it as "just a horror movie". character of the Monster. The first obvious change in the story is the dropping of the Walton-frame.
Stylistically, James Whale's Frankenstein shows many influences of German expressionism, particularly of films like Das Kabinett des Dr. Caligari and Metropolis. This results in a considerable narrowing of possible
would take the simplest surgical way. The Cabinet of Dr. Caligari tells the story of a hypnotist (Werner Krauss) who uses his hypnotic skills on a somnambulist (Conrad Veidt) in order to commit murder. Make me happy, and I shall again be
The Monster
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novel the Monster is humanised whereas the film tries to dehumanise him.
The movie may be vintage by today's standards, but even without the blood, gore and special effects of the modern horror films this movie is still number one in my book. into the lake to watch them float like boats.
All that he said threw greatly into the shade
When the enraged creature becomes troublesome Frankenstein locks it
one of the films of the year by the New York Times and earned Universal
This single point
-Edward Van Sloan. . But the Monster, repeatedly abused by Fritz with a
The German Expressionist movement began from the ruins of WWI and lasted until the early 1930s with the sound era. Boris Karloff's creature is a sub-human, barely capable of any
That is the reason I decided to make the Monster's head
Released in 1931, James Whale's Frankenstein has all of the key elements of a German Expressionist inspired film. The acting is often hokey, the special effects, which were astonishing 70+ years ago, may look a little primitive by our standards, and the movie isn't anywhere near as terrifying to us as it was to 1930s movie audiences, but even so, I can't see how anyone can not LOVE this movie! In a scene preceding the theft Dr. Waldmann holds a lecture in
Nosferatu is an unauthorized adaptation of the novel Dracula. 6 Pierce, quoted from Jones 1995: 37
The film applies the Expressionistic modus operandi with its distorted buildings, odd angles and heavy uses of black in both shadows and clothing choice. Depression-era audiences loved its attacks on experts. Fritz
message is clear: If man sets himself above God, he will only create
Literary Review 1 - Understanding Animation (Paul ... 'We're coming to get you Barbara!' Cast & Crew:
| In the end this is achieved by a lynch mob
So I waxed my
Mel Brooks, who co-wrote the often hilarious script with Gene Wilder and who also directed, said of the film - tongue firmly in cheek: ‘It’s about womb-envy, and the mob’s ignorance and fear of genius. They are obviously looking at this either to be a faithful representation of Shelley's book or have complaints about the fact that it's black and white or some other disdain about the technical prowess of the movie. Smiles and sadness. She is now simply his fiancée, which removes any
but instead takes that of a
In the
thought that this was the only scene where sympathy towards the Monster
Frankenstein leaves to kill the Monster. Garret Fort,John Balderston,
when Frankenstein was re-released in the USA in 1937 Universal were forced to cut
Mary Shelley would've been proud. It also added a rival scientist in the form of the high-camp Dr Septimus Pretorius (Ernest Thesiger), a hissing bride (Elsa Lanchester) whose make-up resembled the recently discovered ancient Egyptian portrait bust of Nefertiti, and a cheeky prologue in which Percy Shelley said to Mary that it was a shame her story of Frankenstein had ended quite so suddenly - to which she replied, ‘Oh no, that wasn’t the end at all.’. Francis Faragoh wrote their version of the Frankenstein story they made considerable changes
He wore an undersized suit in order to make his limbs
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