These shapes are easy to visualize and will provide you an easy road map. F/Dm C#/A#m (Db/Bbm) One of the limitations of CAGED is that it doesn’t apply directly to minor keys—it takes a little bit of mental gymnastics to get there. CAGED simply provides you with a broad road map of the fretboard for a given key/chord. The Am and Em shapes are probably familiar to you already as common barre chords. It's a big deal! ʻUkulele scales are created from a family of notes that sound pleasing together. Ab/Fm. How to use the CAGED system to play a solo.pdf - Free download as PDF File (.pdf), Text File (.txt) or view presentation slides online. E/C#m The CAGED System with the Aeolian Mode. At The Intermediate Stage I recommend understanding it more than playing it, most times using the E & A Shape Barre chords is enough, but explorers will sure enjoy the other 3 Shapes. I also encourage you to check out the F#m and Bm shapes (actually F#m7 and Bm7)–they are very handy if you are looking for a jazzier way to play a m7 chord. This is a bit of an extension of the CAGED shape itself, and gives us a few more note choices, all of which are part of the chord that the CAGED shape represents. Copyright 2010-2020 High Country Guitar. I spend much less time in the A and D shapes overall, although each has a few very useful clusters of notes…which brings me to my next thought: Note Clusters: You might find some of these fingerings (especially the triad arpeggios) to be rather inconvenient to play in their full 6-string forms. Imagine a keyboard; the notes go in one direction and there is only one way to play each pitch. Once you download and extract the .zip file (just double click on most computers), you’ll have 15 PDF files: Each page looks like this and contains two different chart variations: notes and scale degrees. The first two measures of each staff shows the scale in it’s lowest position starting from the root and the last two measures are an octave higher. CAGED is a simple little system for broadly mapping out the fretboard as it relates to any chord. The guitar is unique amongst instruments in that it isn’t linear. This free bundle of files includes 14 scale types and a guide on implementing them. Download over 150 pages of ʻukulele scale reference diagrams and charts in PDF. I’ve taught workshops internationally, made Herb Ohta Jr. laugh until he cried, and once jammed with HAPA onstage in my boardshorts. Bb/Gm Great learning accelerator! Your donations are the ONLY income source for the design, content, and hosting of this website. Eb/Cm All rights reserved. Join the HCG Facebook Group for updates, discussions, shit-talking, etc. More about me. This free bundle of files includes 14 scale types and a guide on implementing them. Wherever a CAGED shape sits, the corresponding pentatonic scale will offer you a few additional note choices that are safe and will sound good in most circumstances. Use 5 minor CAGED shapes. Understanding The CAGED System will deepen your understanding of the instrument in many ways. It's a big deal! The “spelling” is to the right of the link and based off of the root major scale. But the general concept can be learned quickly and easily. I’m an ‘ukulele artist from Honokaʻa, Hawaiʻi, where I run this site from an off-grid cabin in the jungle. A couple of them should be pretty familiar to you (the Em and Am shapes), but others are likely to be less familiar. 2. These same patterns can be used for ALL THE MAJOR CHORDS! They serve as the foundation to a tonality (major or minor). It’s important to remember, at this point, that these shapes aren’t really intended to be used as chords per se, at least not in their entirety (although I do recommend investigating how you can break them into smaller, more useful portions). Master the CAGED System for Guitar. The Dm shape probably looks familiar to you too, although you may not have actually used it before. One thing to remember as you work through these fingerings is that you don’t need to learn ALL of them right away, and you’ll also find that you prefer some fingerings over others. These relative keys contain the exact same notes, so when you’re improvising, they are practically interchangeable. B/G#m Since the fretboard of an ʻukulele is a crazy matrix, it’s very useful to have scale charts available for reference as you study. The A Shape of the CAGED System is a very common barre chord form, second only to E Shape. It's important to realise that the CAGED system was not 'made up' by anyone, it is just the basic logic that f... Introduction to The CAGED System which breaks the guitar neck into five areas of study. Not every guitarist thinks in terms of CAGED, but my opinion is that it’s extremely effective, and extremely easy to learn. For example, the relative minor of C major is A minor. ~DB Music is 80% physical/technique, 19% mental/theory, and 1% magic/luck. A detailed and expansive guide to the notes on the fretboard, this collection contains a whole book’s worth of charts and instruction – for free. You'll be able to play all over the fretboard and see better the relationships between chords, scales and arpeggios. See more ideas about Guitar chords, Music guitar, Playing guitar. The CAGED shapes provide a quick, easy-to-understand way to visualize the chord tones for a given chord. Contact Paul for guitar lessons, questions, comments, complaints, or ideas! Check you email to confirm your subscription and get the link, function ml_webform_success_1551338() { var $ = ml_jQuery || jQuery; $('.ml-subscribe-form-1551338 .row-success').show(); $('.ml-subscribe-form-1551338 .row-form').hide();}. Of course, it will take more time to fully assimilate the concept into your playing so that it’s available to you on the fly, as you are improvising. The first and most common chord grip of the CAGED System is the E Shape, you probably know it already! Again, these are known as chord tones, and provide target points for your improvised lines. There are actually 5 shapes for minor chords that can be used just as CAGED is used for major chords. I encourage you to break these up into clusters, 3 strings at a time, and spend some time playing with them in order to find the juicy ones. A detailed and expansive guide to the notes on the fretboard, this collection contains a whole book’s worth of charts and instruction – for free. The G Shape chord is not commonly played but is the final part of the puzzle and makes sense in so many ways beyond the chord shape (for scales and arpeggios! 1. C Shape is the third shape in our CAGES System module, and it's a very useful shape to learn! Understanding The CAGED System will deepen your understanding of the instrument in many ways. Pentatonic scales are just about always good for a go-to scale when you want to play a lick or melody that is right in the pocket, with no “questionable” note choices. If you add just a couple of notes (specifically, the 2nd and the 6th) to the triad arpeggio, you end up with a pentatonic scale. Aug 24, 2018 - Explore ray's board "CAGED chord method" on Pinterest. Free PDF Scales Collection. You'll be able to play all over the fretboard and see better the relationships between chords, scales and arpeggios. But mainly, they are really just intended to be visual aids—they just help you visualize where the notes sit on the fretboard. Please support HCG with a PayPal donation! This can then provide a good framework for you as you delve deeper into the modes, etc. Here’s a quick list that shows the relative major & minor for each key: A/F#m I often say that CAGED is like a map of the U.S. Interstate highway system. If you play an ʻukulele with a high-g then the low ʻukulele scales might sound off, but the note locations are the same – just in different octaves. Sign up on the HCG email list for site news & updates. This lesson explains where the CAGED system came from. These 3-string clusters can be easier to visualize on the fretboard, and easier to access “on the fly.”. THIS IS TOTALLY OK. Start with getting one or two of the CAGED shapes down–learn how to apply them to different keys, and come up with a few melodies within the corresponding pentatonic scale (targeting chord tones!).
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