Brett Whiteley AO (19391992), artist, displayed a brilliant talent for drawing as a Sydney schoolboy. It was, at the very least, a way of exposing his own dark obsessions to the widest possible audience and the full glare of publicity. The Brett Whiteley Studio, Whiteley & Rees: More affinities, Sydney, 2005, (illus.). Terry Ingram discusses current art market, and valuation of Whiteley's work. Collage these images together to create a portrait to display in class. are Butcher Bird with Baudelaire's Eyes of 1972 in pen, ink, gouache and collage, and the . Tributes to Brett Whiteley collectively written by Stuart Purves; director of Australian Galleries, Doug Hall; director of Queensland Art Gallery, Colin Lanceley; artist, Mary Eagle and Andrew Sayers; curators of Australian Art at the Australian National Gallery, and, Paul Delprat; Principal of The Julian Ashton Art School. Born in Sydney, Whiteley was sent to boarding school in Bathurst in 1948. The artist's face reflected in a tiny mirror suggests the influence of Eastern art in the portrayal of man as merely a small part of a much larger . The National Portrait Gallery is an Australian Government Agency, gelatin silver photograph on paper (, The National Portrait Gallery respects the artistic and intellectual property rights of others. By vintage wall art. 204-210. 8 in education pack. Susan McCulloch, Alan McCulloch and Emily McCulloch Childs, The new McCulloch's encyclopedia of Australian art, Carlton, 2006, 1085 (colour illus.). 07 Apr 1939 15, Sydney, 29 Jun 1997, 15 (illus.). Why does he reference these artists in his self-portraits? [28], This article is about the artist. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Close up of painting focused on blue harbour and white boats which merges with actual harbour footage with shimmering water. Scholarly publications with full text pdf download. Jennifer Phipps role at the time of publication was Curator of Australian Art. Brett Whiteley AO (1939 - 1992) Born 7 April 1939 Sydney, New South Wales Died 15 June 1992 (aged 53) Thirroul, New South Wales Education Julian Ashton Art School Known for Visual arts Movement Avant-garde Awards: Biennale de Paris - International Prize for Young Artists 1962 Archibald Prize 1976 Self Portrait in the Studio, 1978 This article was edited by Sally White. Wilson quotes a letter the artist addressed to his mother, in January 1979, in which he writes of the realization (sic) of the deep responsibility I have to my talent, to share it with my fellow Australians with the world I am fighting the biggest struggle of my life at the moment. His first Archibald award, Self portrait in the studio, in deep bluish tones, shows an image of his studio at Lavender Bay overlooking Sydney Harbour, with his own reflection in a mirror shown at the bottom of the picture; a view of Sydney Harbour on the left establishes the location of the picture. 18-19, Sydney, 13 May 2006-14 Jun 2006, 18-19. Kristin Williamson., The national times: Australia's national weekly of business and affairs., 'Brett Whiteley - Portrait of a Genius', Sydney, 25 May 1980-31 May 1980, 28-32 (illus.). 26-53, Melbourne, 1997, 49 (colour illus. As with other works, there is evidence of Whiteley's love for Matisse, ultramarine blue, the Sydney Harbour location and for collected objects. 9 (verso) in education pack. This photograph was taken by Andrew Rankin. Brett Whiteley Self Portrait In The Studio Framed Print . ), 81. cat.no. Alec George, Look, 'Whiteley's 'inner paddock', pg. Brett Whitely (7 April 1939 - 15 June 1992) Look closely at the work and find the signs and symbols Whiteley uses to represent himself as an artist. That year he won the trifecta, being awarded all three prizes including the Wynne and Sulman. 13, no. from The New York Times: Clinton had borrowed from his proposals to make public colleges free. 8-14, Sydney, 1986, 14, 42 (colour illus.). This exhibition brings to prominence Brett Whiteley's admiration for Zen philosophy through which a process of flow and focus was expressed in the act of drawing and painting. Museum of Applied Arts and Sciences, Ken Done: The Art of Design, Sydney, 1994, 32 (illus.). morning, Available for everyone, funded by readers. This article appeared in the `Art' section of the newspaper. After leaving school in 1956 at the age of 17, Whiteley worked in Sydney for the advertising agency Lintas. card no. Signed and dated l.l. His work became highly desired by collectors, especially his large-scale, brilliantly-coloured interiors and landscapes strongly influenced by French artist Henri Matisse such as Big orange sunset 1974 and Self portrait in the studio 1976. Geraldine Pascall., The Australian, 'Whiteley's arts double; Judges' daring matches entries', Sydney, 22 Jan 1977, (illus.). This appeared in the `Arts' section of `The Australian Supplement'. Untitled (Bird) Brett . [21], Whiteley's home and workplace during the last four years of his life at 2 Raper Street in Surry Hills was converted into the Brett Whiteley Studio museum by the Art Gallery of New South Wales.[22]. Lina Tesoriero and Helga Nilson, Aspects of Arts, Marrickville, 1993, 23 (colour illus.). unknown author., The Canberra times, 'Sydney artist Brett Whiteley wins Archibald Prize', Ainslie, 22 Jan 1977, (illus.). Almost too brutally honest, it seemed like the final flaring of a dying star. Leslie Hollings (Editor), The Australian, Sydney, 17 Mar 1979, (illus.). (Whiteley 1979: 1) Whiteley also made images of the beach, such as his yellowish painting and collage work The beach II, which he painted on a brief visit to Australia before his return to London and his winning of a fellowship to America. 12, Sydney, Oct 2006, 12 (colour illus.). He remembers the artist as vital and engaging, definitely one of the most imaginative and energetic individuals I have known. Terry Ingram., The Australian financial review, 'Sir John's art fetches $42,000', Sydney, 24 Aug 1981. Brett Whiteley Studio Collection. This is an advertisement for an art book titled `Brett Whiteley' by Sandra McGrath. It features in all three self-portraits from 1976-78, acting as a signature or trademark. But there was another side thats duality of life and thats where Bretts pictures moved away from Matisses. 21, Port Melbourne, 2005, 21 (colour illus.). BRETT WHITELEY (1939 - 1992) GARDEN, 1975 brush and sepia ink on paper 84.5 x 75.0 cm stamped lower. from The New York Times: BRETT WHITELEY : SCREEN AS THE BATHROOM WINDOW. SELF-PORTRAIT, 1977 Another in the series was a more abstracted Woman in the bath II, which owed a debt to his yellow and red abstract paintings of the early sixties. Andrew Sayers, Australian art, 'Icon and abstraction 1951-68', pg. We acknowledge the Gadigal of the Eora Nation, the traditional custodians of the Country on which the Art Gallery of NSW stands. Art Gallery of NSW. Tina McGuffie, Mornington Peninsula leader, 'In a haze of art', pg. He painted Patrick White while the author was working on his autobiography, Flaws in the Glass in 197980; thus two great portraits of White, painted and written, developed together. . Edmund Capon AM, OBE and Jan Meek (Editors), Portrait of a Gallery, 'Australian 20th Century Art', pg. Jane Scott, Barry Pearce and Wendy Whiteley, Brett Whiteley: Connections, 'Brett Whiteley: Connections', Healesville, 2010. His ink drawings and paintings are accompanied by works of other Australian and Asian artists selected from the collection of the Art Gallery of New South Wales. His reference to art history, including an image of the famous 1943 William Dobell portrait of Joshua Smith, won a court case against accusations that it was a caricature, not a portrait. 23, Sydney, 2008, 3, 22 (colour illus. Melissa Phegan., Daily telegraph mirror, 'The passion and pain of Brett Whiteley', Sydney, 21 Jul 1992, (illus.). Jill Sykes, Look, Barry Pearces next book-call it segueing with intent, pg. Richard Cotter, Change and continuity; 20th Century Australian History, South Yarra, 1998, 177 (colour illus.). Rhana Devenport and Vaughan Rees, Art-i-facts, Book One: An exploration of art and design for junior secondary students, 'Structure in art and design', pg. Britt Larsson., The Sydney Morning Herald, 'Whiteley's poser', Sydney, 10 Dec 1977, 16 (illus.). unknown author., The Australian, 'A buzzing, excited pitch', Sydney, 24 Jan 1977, 8. unknown author., The West Australian, 'Controversy likely over art winner', Perth, 22 Jan 1977, (illus.). [4] For Whiteley it was more like a compulsion to break the imaginary rules of painting, to be spontaneous and transgressive and to be recognised for these revolutionary gestures. After meeting Bryan Robertson, the director of the Whitechapel Gallery, Whiteley was included in the 1961 group show 'Recent Australian Painting,' where his Untitled red painting was bought by the Tate Gallery. fig.no. Signed and dated upper c. verso, black fibre-tipped pen "/ brett whiteley/ 1975-76/ ". Birds and heroes people Brett Whiteley's art. But this painting also hints at a darker side, as Wendy Whiteley explained in 1995: he was warning himself and other people watching. Barbara Konkolowicz, A different vision, Sydney, 1998. Brett Whiteley 1975 'The balcony 2' is one of his most evocative harbour paintings, encapsulating key elements of Whiteley's art - fluent draughtsmanship, an erotically charged curvilinear line and an ability to invest minimal brushstrokes with multiple associations. (age36in1975). Year. How does he push the definition of portraiture? Brett Whiteley was never shy when it came to measuring himself against the masters. Imagine an ideal studio space that would help you to create art. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present. Jane Fraser., The Australian, 'Tribute to Whiteley looks back with love', Sydney, 07 Jul 1992, 3 (illus.). He is represented in the collections of all the large Australian galleries, and was twice winner of the Archibald, Wynne and Sulman prizes. Saturday 29 April to Sunday 20 August 2006. (age29in1975), Brett Whiteley 1978 was the only year in which all three prizes have been won simultaneously by the same person. The illustration is a detail of Whiteley's 'Self Portrait in the Studio'. How would the space be divided and what objects of inspiration would be around you? 20, No. [17], On 15 June 1992, aged 53, he was found dead from opiate overdose in a motel room in Thirroul, north of Wollongong. Returning to Sydney in 1956, he starting working as a commercial artist in the studio of the Lintas Advertising Agency in Sydney, began life-drawing classes at the Julian Ashton Art School and occasionally joined John Santrys sketch club, through which he came to know the Australian landscape painter Lloyd Rees, who was a strong influence. PROVENANCE. Baudelaire's Bird 1973 signed 'brett whiteley / Aug 1973' on verso oil and feathers on canvas on board 56.0 x 52.0cm (22 1/16 x 20 1/2in). In 1991 he was awarded an Order of Australia. The glamorous Whiteleys marriage was fiery, and their inevitable separation added to the artists problems with substances and self-doubt. In 1964, while in London, Whiteley became fascinated by the murderer John Christie, who had committed murders in the area near where Whiteley was staying in Ladbroke Grove. This article appears in the 'Focus' section of the newspaper. This article was written in regards to Whiteley winning both the Archibald, and Sulman prizes in 1977. unknown author., Northern Star, 'Archibald Prize won by Sydney artist', Lismore, 22 Jan 1977. unknown author., The Australian, 'Archibald Reflection', Sydney, 22 Jan 1977. Many of the ideas from the work may have come from his experiences with alcohol, marijuana and other drugs. 71-89, Sydney, 1984, 73 (colour illus). [24] The paperback, featuring a new cover, was released in 2017. His rock-star status and his popularity in secondary school art rooms may have eroded his street cred in the art world, but Lou Klepac's book Brett . These are amongst the most prestigious art prizes in Australia. Archibald Prize: Brett Whiteley - Self Portrait in the Studio; John Moores Painting Prize - John Walker for "Juggernaut with plume - for P Neruda" Exhibitions. The big self-portrait looking at himself in the mirror is extraordinarily honest in some ways. (Bibliographic reference no. BRETT WHITELEY It was these abstract works which led to him being recognised as an artist, at a time when many other Australian artists were exhibiting in London, but from 1963 he moved away from abstraction towards figuration. [citation needed], In 1967 Whiteley won a Harkness Fellowship Scholarship to study and work in New York. 17, Melbourne, Feb 2001, 17 (colour illus.). Apart from the mirror portrait, this was clearly inspired by Matisse's Red Studio, with the colour transformed to Whiteley's favourite ultramarine blue. 3), 'Collecting international art', pg. Open daily In his younger years he was sent to boarding school in Bathurst and also Scots Collage in Sydney. One image which uses van Gogh's style in a unique way is The night caf (197172). Were not looking at a would-be genius or a sinful penitent. It started with a peaceful, dreamlike, serene ocean scene on one side, that worked its way to destruction and chaos in a mass of lighting, red colours and explosions on the other side. Brett Whiteley - Portrait 2, 1975. photographer: Greg Weight. He also showed his large T-shirt collection, and talks about his sculpture, which he said is an aspect of his work that many people do not take seriously. The original painting, done between 1972 and 1973 was composed of many different elements and on 18 wood panels 203cm 1615cm 9cm. Jill Sykes, Look, 'McCulloch's Encyclopedia', pg. He lived in the northern suburb of Longueville and attended Chatswood Primary School, then Scots College in Bathurst. Donated through the Australian Government's Cultural Gifts Program. Whiteley painted other images of the Australian landscape, including a view of the south coast of New South Wales after it had been raining called The South Coast after rain. He died following an overdose of heroin in a motel in Thirroul, NSW in the winter of 1992. 'Self Portrait in Studio' was created in 1976 by Brett Whiteley in Fauvism style. signed lower right: BRETT WHITELEY, [1] Wilson, Ashleigh, Brett Whiteley: Art, Life and the Other Thing, Text Publlishing, Melbourne, 2016, p.272, [2] Berg, Charles, The Unconscious Significance of Hair, George Allen & Unwin, London, 1951, [3] Whiteley, Brett, quoted in Sandra McGrath, Brett Whiteley, Bay Books, Sydney, 1979, p.219, [4] Kandinsky, Wassily, On the Spiritual in Art, 1910 (mutiple editions). It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from one's psyche. 45. brett whiteley self portrait studio essay; example of a critical analytical essay; big6 research paper organizer; canada as a middle power essay; 2007 ap english language and composition essay; an example of a detailed outline for a research paper; example essays on teamwork; example body of a thesis paper; bought find papers term Christine Bates, Making art connections: Visual arts years 7 & 8, 'Lets make an artwork: Staying in/going out', pg. His self-portrait was a bold, almost grotesque confessional. Terry Ingram., The Australian financial review, 'Market may see "secret" paintings', Sydney, 14 May 1993, 7 (illus.). Daniel Thomas., The Age, 'Desperate Beauty', Melbourne, 20 Jul 1996, 7 (illus.). [4] He also spent time with friends including Mark Knopfler and John Illsley from the band Dire Straits. The Self-portrait of 1977 sits squarely between his two Archibald Prize winners: Self-portrait in the studioof 1976, and Art, life and the other thing in 1978. Anna Waldmann, The Archibald Prize: an illustrated history 1921-1981, Sydney, 1981, 235 (colour illus.). card no. This article is associated with "Melba". His last studio and home in Sydneys Surry Hills is now a museum managed by the Art Gallery of New South Wales. Deborah Bogle, The Australian, 'Art Movement', pg. Find more prominent pieces of self-portrait at Wikiart.org - best visual art database. Yet he would survive for another 14 years, fatally succumbing to his drug addiction in a motel room at Thirroul on the south coast of New South Wales in 1992. Apart from attending evening drawing classes and sketch clubs, he was largely self-taught. A photograph of Alan Lloyd, head of conservation at the Art Gallery of NSW, examining a detail of Whiteley's painting also accompanies this article. [4], In June 1991, Whiteley was appointed an Officer of the Order of Australia. 13: Brett Whiteley (1939-1992) Est: AUD60,000 - AUD80,000. It was the cage of his interior, his addiction, the window or a glimpse of possible escape into paradise: the escape from ones psyche. Do you feel welcomed or uncomfortable? 6-7, Melbourne . 86. Whiteley became the youngest artist to be purchased by the Tate Gallery when it acquired his only two works at the time, Red . 'Brett Whiteley Self Portrait and Other Intimacies', pg. ), 6-7. I think that the artwork is set in Brett Whiteley's studio The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). I am trying to become a great man. [5]. It might be argued that the hair is an affectation Whiteley used too frequently for comfort. and their inevitable separation added to the artist's problems with substances and self-doubt. Richard Wherrett, Sydney Theatre Company Limited Ninth Annual Report 1987, Sydney, 1987, front cover (colour illus.). The immediate effect was a heightening of reality in that everything I looked at took on an intensity That morning returning to school by bus, I remember the poplar trees were bare for winter but it took me years to paint what I saw. 1975 It was hanging beside a wonderful John Olsen, Five Bells (oil on hardboard, 1963) on the day i visited, which i thought most apt for the two were good friends. Growing up in Longueville, a suburb of Sydney, Whiteley was educated at Scots School, Bathurst[2] and Scots College, Bellevue Hill. [4] In 1962, Whiteley married Wendy Julius. See all 85 works. Brett Whiteley: van Gogh self portraits, Greenhill Galleries, , 27 Jan 1987-22 Feb 1987. The coroner's verdict was 'death due to self-administered substances'. Shop today! Whiteley travelled extensively throughout Asia, including India in 1965, and Japan in the last years of his life, experiencing at first hand the sources of his inspiration. As he said: "To draw animals, one has to work at white heat because they move so much, and partly because it is sometimes painful to feel what one guesses the animal 'feels' from inside." Free delivery and returns on eBay Plus items for Plus members. Nancy Borlase., The Sydney Morning Herald, 'Whiteley's year', Sydney, 27 Jan 1977, (illus.). BRETT WHITELEY. He was the subject of an ABC television documentary called Difficult Pleasure directed by Don Featherstone in 1989, which showed him talking about many of his main works, and his recent works such as ones done during a month-long trip to Paris; one of his last overseas trips. 'Windsor and Newton Deep Ultramarine oil colour has an obsessive, ecstasy-like effect upon my nervous system quite unlike any other colour. See opening hours The work is an anthology of Whiteley motifs, including the view of Sydney Harbour from a window, a reclining nude, an armchair, and a piece of blue-and-white . Martin Terry, Masterpieces of Australian Painting, 'Brett Whiteley b.Sydney 1939', pg. Alchemy is the mythical ancient process of turning ordinary compounds into gold. Gift of Patrick Corrigan AM 2004. The famed author Mishima had committed seppuku in 1970 and the literary mythology that arose of his apparent final vision of enlightenment in the form of the exploding sun, as he pressed the knife into his body, inspired and became the basis for this work. See opening hours Joan Clemenger AO and Peter Clemenger AO, Melbourne, acquired from the above in April 1979. Sue Williams., Saturday Mercury, 'Whiteley gone but his great spirit lingers on', Hobart, 20 Jun 1992, 17, 20. Elwyn Lynn, The Independent Monthly, 'Luscious Ornaments', pg. From $35.80. 3, Mornington, 18 Apr 2006, 3 (illus.). AU $100.00. [23], The book was longlisted for a Walkley Book Award and Australian Book Industry Award, and shortlisted for the Australian Book Design Awards and the Mark and Evette Moran Nib Literary Award. In 1959 he was awarded the Italian Government Travelling Art Scholarship, which was judged by Australian artist Russell Drysdale at the Art Gallery of NSW. Michaela Boland., Weekend Australian, 'Master cards', pg. Consider the location, size and functions. He began the 1970s with gentle pictures of birds, moving on to massive portraits of the poets Verlaine and Rimbaud before taking two years to paint the gigantic Alchemy 197273. The young Whiteley duplicates the three-quarter turn of the head, the painters sullen-or-soulful gaze which holds the viewers eye. Brett Whiteley Art & Life (1995-1996), Art Gallery of New South Wales, Sydney, 16 Sep 1995-19 Nov 1995. . 272-275, Port Melbourne, 2010, 3 (colour illus. From $33.34. Similar to Brett Whiteley's other major paintings of this period, 'Self-portrait in the studio' exudes a sense of sumptuous living and the liquid presence of the harbour through what he called 'the ecstasy-like effect of Ultramarine blue'. A detail of Whiteley's self portrait is accompanied with a photograph of the artist. Warning: Smoking has been linked to some of the most powerful images of the twentieth century an MPRG exhibition. This article appears in 'The Australian Magazine' a liftout of 'The Australian' newspaper. No other artist left traces of his own locks on so many canvases. For portraiture to survive, especially self-portraiture, there has to be a deepening quality of self-revelation. Exhibition Commentary: Brett Whiteley at Bonython, Sydney. In London he excited art dealers and fell under the influence of painters such as Francis Bacon, of whom he later made a series of portraits. For further information please contact NPG Copyright. unknown author., Adelaide News, 'Two top art prizes to Whiteley', Adelaide, 21 Jan 1977. (1974) The balcony 2 (1975) and Interior with time past (1976 . Get the best deals on Brett Whiteley Art. 232-243, Sydney, 2000, 232 (colour illus.). 9, Sydney, 07 Sep 2013, 9. Photo David Christian, Brett Whiteley, 'Self portrait at 16', 1955, Brett Whiteley Studio Collection Wendy Whiteley, Brett Whiteley, 'Self portrait in the studio', 1976, Art Gallery of New South Wales. Self portrait in the studio, 1976 Brett Whiteley Oil, collage, hair on canvas 773 x 600 cm, AGNSW Brett whiteley's self portrait in the studio was a realism painting and stretch the definition of portraiture. Artist Natasha Walsh with her nearly completed Archibald Prize entry, a riff on Brett Whiteley's winning piece, 'Self-portrait in the studio'.Janie Barrett. Barry Pearce, Australian painters of the twentieth century, 'Brett Whiteley', pg. A handful of his own curly, reddish hair glued to the picture signifies a desire to explore a higher kind of realism, as if mere paint on canvas were insufficient to the task. Appearing in the 'Special Exhibiton' section. . 239-240, Sydney, 2000, 256 (colour illus. Do you feel you are watching the subject or is the subject watching you? We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. He won all three prizes in 1978 (the first artist to do so) and the Wynne a third time in 1984. ", Whiteley became increasingly dependent on alcohol and also became addicted to heroin.
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