More importantly, Kentchurch is a significant as one of a number of houses built in the area around that time which were a visible expression of a new wave of architectural fashion; the Picturesque. Post was not sent - check your email addresses! A house of this size would ideally have much larger grounds to provide seclusion and planners ought to insist on a minimum 500-metre ‘green-belt’ around each house which would help protect their long-term viability. Craigievar Castle; completed in 1626), by which time the English nobility were embracing a very different style for their homes. Meldon Park: East Wing Apartment, Country House Rescue – Episode 5 [Channel 4], For more information about the architect: ‘John Dobson 1787-1865: Architect of the North East‘ – Thomas Faulkner & Andrew Greg. However, a house of this size requires significant funding not only in terms of capital investments in the house but also just to meet the £75,000 per year running costs. Perhaps the expectation was that the house would not survive and further housing could be built, but the house then enjoyed a resurgence when it became a hotel in the 1960s and 70s, becoming the place to be in the area. Yet they do survive, despite the best efforts of tragedy and unforgiving tax regimes to unseat them. He also worked for Thomas Johnes at the spectacular Hafod estate where Johnes had planted 3 million trees to paradoxically create a more ‘natural’ looking Picturesque landscape. Many fell victim to broken fortunes, particularly relating to losses in agriculture, on which much of the wealth was based, especially following the Potato Famine in the mid-19th-century. Nash had moved to Aberystwyth after his bankruptcy following a failed speculative buildings scheme in Bloomsbury in London. By their very nature these were large houses and often a little impractical which sadly meant many were demolished. Ironically, in France, the Napoleonic code demands equal shares for all potential inheritors, forcing the break-up and sale of large estates, preventing the same depth of connection between the nobility and society. Realising the scale of the challenge, an architect was engaged to explore what options were available; including the dreaded conversion to a golf club with the grounds becoming fairways. Judging by their new website and other news stories about their expanded and diversified activities it seems that they were also willing to listen to Simon Davis’ advice and act on it and such pragmatism can only be applauded and will hopefully be rewarded. Great Fulford, Devon. "Country House Rescue" (2012 - TV reality series, episode 4.4, "Great Fulford"). Much of Ireland, at that time, was owned by absentee British landowners who rarely visited, but for those who did live there they were determined that their houses would be as grand as those in the rest of Europe. The inevitable challenges of finding an agreeable path through the stringent planning rules governing this Grade-II* listed house caused delays, and, sadly, Ms Wilkins relationship ended, following which she bought out her ex-partner, leaving her in sole charge of a vast partially-restored mansion with its 150-ft façade and spectacular views over the nearby hills. As owners of a glass works, it was natural that the house would be well-lit; the bright interior a result of the large windows which graced the main rooms on the south and east sides. In many ways the Fulfords are a refreshing alternative to the slick corporate manicure of many homes or the stately preservation of the National Trust (though all have their place). Yet it is likely that this was more co-incidence than copying as there is a clear architectural lineage for the ‘rectangular block with portico’ style of house which goes back to Colen Campbell‘s masterpiece of architectural propaganda, ‘Vitruvius Britannicus‘. Keep track of everything you watch; tell your friends. The grade-II listed house is in the regionally popular Regency gothic style – essentially a five by four bay house which was re-modelled in 1830 to add crenellations, hood moulds over the windows, decorative turrets, and an imposing entrance. The staircase was later reworked by no lesser figure than Sir Edwin Lutyens, who replaced the original metal balustrades with wooden ones and added decorative plaster panels. The house was sensitively adapted to meet both the requirements of discerning visitors and official regulations whilst preserving the architectural fabric of the house to the greatest extent.

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