Homewrecker Band, Practice them every day and your skills will improve little by little. With movable shapes, we don't play any open strings. Led Zeppelin’s “Rain Song” and James Brown’s “I Feel Good” are some other great examples of songs that use dominant ninth chords. Note how the first voicing with the fifth-string root is similar to the first voicing with the sixth-string root; both include the root, 7th, 3rd, and 13th notes in ascending order. These chords are even thicker and more sharply angular than classic extended voicings, though the notes themselves are often altered slightly (for example, lowering the ninth by a half step and raising the eleventh in the chord above) to reduce unwanted half-step “rubs” or other dissonance within the chord structure. Chord roots are indicated by squares: The next step is learning which other chord tones fall on each string. Ninth chords are the most common type of extended chord. Knowing where the root is on each of the four seventh inversions, and knowing it can move up two frets to the 9th (which is the same note as the 2nd note in the scale), it’s a simple matter to have the 9th chords at your disposal: (any 1st string note can be doubled on the 6th string for a fuller sound). Cmaj9 can sometimes serve as a replacement for the closely related Cadd9 (C-E-G-D) as well. In many cases, the two types of extended chords are basically interchangeable, especially depending on the finger position and voice leading required for the tune you’re playing. Some guitarists will also invert the chord to position the eleventh note at the top of the voicing (on the first string). Rather than taking the “safe” route and sticking to basic modal techniques or simply playing one scale for your whole solo, outlining the characteristics of each extended chord by focusing on their extension notes immediately distinguishes your ideas from the proverbial “pack.”. Although each of the Cmaj13 chords found in FIGURE 11 includes a 9th (D) in the voicing, that 9th could be omitted without having to rename the chord. The root is often going to be picked up by another instrument anyway, such as bass or keyboards, so chances are good it won’t be missed. These are all E dominant chord types located exclusively on the top four strings—perfect for an E9 chord vamp, a staple of the funk genre. If you plan to sightread chord charts or want to be able to recognize and utilize extended chords at a glance, it’s important to know all of the different possible notations. That shape requires your thumb to hold down the root on the sixth string; it’s a great fit if you like to play Hendrix-style barre chords with your thumb up over the neck of the guitar. For example, a Cm9 chord is spelled C-Eb-G-Bb-D (R-b3-5-b7-9) as in FIGURE 5. This is a common and acceptable procedure when dealing with extended chord voicings. The extra sound doesn’t disturb the fundamental tension inherent in a seventh chord, fueled by the infamous tritone interval between two of these notes (namely the third and seventh). Falcons Draft Pick 2020, Extended intervals like the 9th, 11th, and 13th are created simply by playing an interval with a note more than an octave above the root. Particularly conspicuous in blues, jazz and funk, dominant 9th voicings are a popular, colorful substitute for the often overworked dominant 7th chord.
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