Epiphone Emperor – George Benson’s first guitar. The Rivera is pictured on the cover of the album The Return (1987). The acoustic version of the Epiphone Emperor was available since 1936, in 1951 an electric version followed. What gear does Bill Frisell use? TC Electronic TC 1210 – Spatial expander and stereo chorus flanger. Live, and at home, he pairs the Acoustic Image with a Raezer’s Edge Stealth 12, a Marshall 1960A, or a Mesa Boogie 4×12 Recto slant cabinet. Boss PSM-5 Power Supply and Master Switch, Roland GR-300 – Mike’s first guitar synth, Roland GR-50 – Mike used this guitar synth in the 80s. 1980 D’Aquisto Sunburst Excel Archtop Electric Guitar.

His sound, which is produced by a very basic setup, can be described as natural, unpolished, silky, and rich. The only way a guitar could be heard was by playing chords and playing them hard. The music from these sessions was recorded live to cassette on a stereo Panasonic boombox over the stretch of one hot summer in downtown Manhattan, 1981. These 18″ to 19″ guitars were called “orchestra” models and were known for their acoustic volume, important in an era where amplification was still rare. For recording guitar, Allan Holdsworth uses Neumann U87 microphones placed between the center and the edge of the cone. One sound he got from the soft parts of his thumb, another more edgy one from that corn. His most famous guitar model is the L-series guitar, made of a graphite and carbon fiber-mix. I played that guitar for a while, but it was too heavy. Mike Stern’s signature guitar is made by Yamaha and is a copy of a Tele-style guitar that was custom made by a friend of him from Boston, Michael Aronson. The output of his Digitech preamp, just like the Acoustic 134, is connected to 2 Lexicon digital delays, one on his left at 14 ms and one on his right at 26 ms. Each delay has a slight pitch bend controlled by a VCO (sine wave), which makes his guitar sound chorused. IMO you can get close but only so close to tubes with a digital amp.

Ibanez George Benson GB-1 Prototype Sunburst. Gibson Les Paul Custom – Jim Hall used this guitar in the beginning of his career, when he was playing with Chico Hamilton. He had the guitar modified with a Florentine cutaway. The Gibson Custom Shop Pat Martino was Pat’s guitar in the 2000s. That’s not an ES175 he’s playing on Movin’ it’s an L5 with a Florentine cutaway. Al Di Meola uses a small AER acoustic amp to amplify his acoustic guitars. This concert was recorded on a modified stereo Walkman at OK Hotel in Seattle in June, 1993. Bill uses this guitar 90% of the time.

Another pedalboard is done by Mason Marangella at Vertex.

The two edges come down to a point that’s straighter than on a Fender pick. During his Joshua Redman tour, Pat realized he finally would have to modernize. I prefer the Super 400 model with two humbuckers and a Florentine cutaway. And is the same for his trio and other ensemble work? It’s having that instantaneous sustain. Charlie Christian started playing a Gibson ES-150 guitar in 1937. Nov 9, 2018. According to his son, he loved the guitar so much that he would spend days without putting it down. Hilton Volume Pedal – Larry uses two of these custom-built volume pedals, one for eclectric, one for acoustic guitar. John Scofield has a large effects board, but only uses them occasionally to create specific sounds. I couldn’t refuse, because it’s got such sentimental value. They’re not too stiff and they allow me to have better rhythm. Kenny Burrell had some modifications done to the Gibson Super 400: Kenny Burrell was one of the first to use a Fender Twin Reverb. Joe Pass used to play a Fender Jazzmaster during his stay at the Synanon Center in California, where he tried to kick drugs. The guitar made by Bill DeLap is stringed with a LaBella .008 set. Ned’s company, Steinberger Sound, was bought by Gibson in 1986. Allan Holdsworth was a big fan of headless guitars. Before finding this guitar, Kenny used a Gibson Super 400 with a Venetian cutaway and a DeArmond pickup. Scofield uses it to fatten up his sound. It’s the Lead One preset with various degrees of gain. The Super Custom XV has 2 channels, a normal one and a reverb/vibrato one. His thumb was double-jointed, he could bend it all the way back to his wrist. The Synthaxe was made by Bill Aitken in the 80s and is a fretted, guitar-like MIDI controller with or without a breath controller. Ibanez 2470 Model – A Gibson Johnny Smith knockoff. If I’m recording, I like to use .014s. It’s a fake vintage, from the Custom Shop. Copyright Jazz Guitar Online 2020 © All rights Reserved. Jim plays it with the tone-knob rolled back. Mike Stern grew up playing blues and rock on Fender Telecasters and Stratocasters, and he stuck with Tele-style guitars when he started playing jazz. He makes these sort of oddball-like electric mandolins. Please log in again. He also played a 50-watt Marshall with 2 4×12 speaker cabinets. I want a full sound but I don’t want to worry about muting the strings because they’re feeding back. The famous 100-watt guitar amp with two 12-inch speakers. Frisell owns 3 guitars built by Steven Andersen. Fuchs Overdrive Super 100 through a Feiten vintage 2×12 cabinet. Apr 4, 2019. It was the second night of a two night run before a mini-tour and the second time we’d ever played this material together live. Allan used several pieces of Mesa Boogie amps over time, running either a Mark III, Quad Preamp, or .50 Caliber through various combinations of custom enclosed speaker boxes. (1972). The pickup on the Gibson ES-250 was the first one to have 6 individual pole pieces, one for each string. Roland VG8 – Al Di Meola uses the VG8 to control the GR30. Tele, couple of amps, pedals. 1971 Gibson Les Paul Custom with DiMarzio pickups. Gibson presented the L-5S to Pat when it was not on the market yet and he agreed to use it.

Boss DD-1, DD-2, and DD-3 digital delay pedal (for ambiance). I don’t like feedback, and I don’t like thin sounds. I used a Gibson, I actually remember the number, it was a GA-50. In the 70s, he used this guitar in Tony Williams’s Lifetime band and in the band Soft Machine. Joe Pass used D’Aquisto Flatwound Strings with a 013 to 056 gauge. Joseph Yanuziello is a luthier based in Toronto. The Gibson GB10 is made in Japan, while the GB10JS from the 90s are made in Korea. I told him I’d just buy a new Tele, and I did, from Fender’s Custom Shop. Other guitar players using polytone amps: Herb Ellis, Joe Pass, and George Benson. Al Di Meola has 2 Godin Multiac guitars: a Godin Multiac Jazz and a Godin Multiac Nylon SA model. Bill uses George L cables according to this article.

The strings on his AS200 are a custom set: .011, .014, .019 (unwound), .030, .039, .049. Besides the PM100 model with a natural finish, he also plays a black version (Ibanez PM100 BK). Because Bill DeLap guitars took too long to make, Allan Holdsworth approached Carvin (now Kiesel) about making him a guitar. He used these amps on albums such as Time on My Hands, Meant to Be, and What We Do. Barry (Galbraith) and I went together to Birdland and the guitar sounded, frankly, terrible. more. Music Producers Guitarists Drummers Bassists DJs Rappers Composers Keyboardists Singers Podcasters Ukulele Players Pat says he never had any repair work done to the guitar, although it was falling apart.

Pat endorsed Polytone amps and guitars for a short while in the 1980s. Bill uses this amp on his album Guitar in the Space Age. They have two class-A channels; the first is driven by British EL34s and can be driven like a Marshall, the second has 6L6s and sounds very much like a Fender Twin. My GB10 is unique because it has a smaller body, which takes care of a lot of the feedback issues. AHe owns a second one with 4 12-inch speakers. Allan’s first guitar was a Hofner President, bought when he was 16. To embellish his big, smooth rhythmic sound, Freddie Green used big jazz archtops like the Epiphone Emperor and Stromberg Master 400. more. The guy I sold it to gave it to another guy in Connecticut, who kept it all those years before moving to Texas. Of course, that setup was not user-friendly toward single-line soloing, but Green knew it was the best configuration for his specific style and approach to rhythm chords and big band guitar. Head room with little or no distortion, some reverb and chorus. I love that guitar, even though sometimes I don’t touch it for months. Jim Hall has been known to use a Boss Chorus pedal and a Digitech Whammy pedal, but not often.

The login page will open in a new tab. During his stay Joe Pass didn’t have a guitar of his own, he used this Fender guitar that was owned by the Synanon Rehab Facility. Grant Green’s Epiphone Emperor had the same Gibson McCarty pickup as his Gibson L7. Before he used Dunlop medium picks. The ES-150 didn’t have a lot of sustain, had a bit of a muddy midrange tone and was prone to feedback when the amp was turned too loud, but this guitar was a revolution in its time. It’s the guitar on the cover of Wes Montgomery’s album. 6 Months later he bought a Gibson Les Paul Custom, which he played for many years. This Gibson ES-335 is featured on the album cover of the album Who’s Who?. When he heard the tape the next day, he was surprised that his sound was there, no matter what guitar he played. He likes to modify his guitars and uses an enormous amount of guitar effects. Transistor amps are clean up to a certain point, and after that, they go into a horrendous type of distortion. Rocktron Intelliflex – a multi-effects unit for guitar. Bill uses it for loops and such. The most popular use of a tube screamer is to push a tube amp to make it overdrive more. What kind of Music Accessories does Bill Frisell use? Django Reinhardt used very light silk-and-steel strings with a .010 to .046 gauge. Over 20 years ago, Buster Williams, the bassist, turned me on to it, and I’ve never looked back. Versoul Kenny Burrell Jazz Model (Acoustic Guitar). He screwed a piece of plastic into the top of the guitar to keep the bridge from moving. 1955 Gibson Les Paul Special in TV yellow – Larry used this guitar on tour with Stanley Clarke and Billy Cobham. Other signature guitars besides the GB10 – Ibanez GB10SE, GB12, GB15, GB20, GB100, GB200, LGB30, LGB300.

Linda is a Canadian luthier who met Pat over 20 years ago and has been building instruments for him ever since. The Roland VG-8 is a guitar modeling processor that emulates the sound of popular guitars, amps, and microphones. Larry Carlton uses two pedalboards built by Rick Wheeler. The L-7 was loaned to him by Kenny Burrell, together with a Fender Deluxe amp. Wes Montgomery used Gibson HiFi Flatwound strings on his guitars going from 014 to 058. For years I relied on riders to make instruments available on the road. Luthier Sam Koontz gave Pat Martino a custom-built guitar as a gift out of respect. The Gibson Super 400 has been Kenny Burrell’s trademark guitar since the 60s. Charlie Christian was a key figure in the evolution of the jazz guitar. Joe Pass is regarded as one of the best jazz guitarists that ever lived. Guild dreadnaught cutaway (permanently in Nashville tuning). "Mary Halvorson is one of the most acclaimed guitarists of her generation—a virtuoso improviser, distinctive composer, arranger and a deep student of the jazz guitar.

Mike’s Boss SD-1 has been modded by Robert Keeley. Allan Holdsworth owned 2 Yamaha DG 80-Watt digital modeling amps with Celestion Vintage 30s. He likes the natural distortion of the AC30.



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