“But we went ahead and looked at American Indian stuff, Chinese stuff, Art Nouveau, Art Déco, Modern, Bauhaus, whatever.”. Participate in Developing a Biography for Alton Kelley. Kelley's artwork on the 1971 self-titled live album, Grateful Dead, incorporated a black and white illustration of a skeleton by Edmund Sullivan, which originally appeared in a 19th-century edition of the Rubáiyát of Omar Khayyám. Our editors are trained to His concert posters, logo designs, LP album covers, and fine art have forevermore defined that time. [3][4][5], "Grateful Dead drummer: How 710 Ashbury St. levitated into legend", "Alton Kelley, psychedelic poster creator, dies", "Alton Kelley, 68; Graphic Artist With a Flair for the Psychedelic", documentary film featuring the work of Alton Kelley, History of the Grateful Dead, Volume One (Bear's Choice), Ladies and Gentlemen... the Grateful Dead, Steppin' Out with the Grateful Dead: England '72, Fillmore West 1969: The Complete Recordings, Winterland June 1977: The Complete Recordings, Family Dog at the Great Highway, San Francisco, CA 4/18/70, 30 Trips Around the Sun: The Definitive Live Story 1965–1995, Shrine Exposition Hall, Los Angeles, CA 11/10/1967, July 29 1966, P.N.E. artist, but have noteworthy information to share, we would welcome you to send information has been provided by Jane Doe, the niece of the artist." Alton Kelley, né le 17 juin 1940 et décédé le 1 er juin 2008, est un artiste américain connu pour son art psychédélique. In their final collaboration, in March of this year, they contributed the cover art for the program at the induction ceremony at the Rock and Roll Hall of Fame. KJ Apa. In addition to his wife, Mr. Kelley is survived by three children, Patty Kelley of San Diego, Yossarian Kelley of Seattle and China Bacosa of Herald, Calif.; two grandchildren; and his mother, Annie Kelley, and a sister, Kathy Verespy, both of Trumbull, Conn. “Kelley had the unique ability to translate the music being played into these amazing images that captured the spirit of who we were and what the music was all about,” said the Grateful Dead drummer Mickey Hart. The two formed Mouse Studios, with Mr. Kelley contributing layout and images and Mr. La base du graphisme est venue d'une illustration du « Rubaiyat » un recueil de poésie du poète persan Omar Khayyam, mort en 1123. Mouse diversified. Kelley a trouvé l'illustration dans un livre de bibliothèque, a agrandi l'image, apporté des modifications notable à l'original et ajouté des couleurs « J'ai su que tout de suite que ça serait un classique »[7]. Read Full Biography. Garden Aud., Vancouver Canada, Robert F. Kennedy Stadium, Washington, D.C., July 12 & 13, 1989, Pacific Northwest '73–'74: The Complete Recordings, Pacific Northwest '73–'74: Believe It If You Need It, Playing in the Band, Seattle, Washington, 5/21/74, The Warfield, San Francisco, California, October 9 & 10, 1980, Skeletons from the Closet: The Best of Grateful Dead, Dead Zone: The Grateful Dead CD Collection (1977–1987), All the Years Combine: The DVD Collection, Dead Ringers: The Making of Touch of Grey, Bob Dylan and the Grateful Dead 1987 Tour, Deadicated: A Tribute to the Grateful Dead, Fare Thee Well: Celebrating 50 Years of the Grateful Dead, The Music Never Stopped: Roots of the Grateful Dead, https://en.wikipedia.org/w/index.php?title=Alton_Kelley&oldid=985720851, Pages using infobox artist with unknown parameters, Wikipedia articles with MusicBrainz identifiers, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, concert posters, logos, album covers, fine art, This page was last edited on 27 October 2020, at 15:36.

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